Wednesday, August 15, 2007

Trygve Seim "The Source and Different Cikadas" 2000 (ECM)





"Mmball" (link in comments)

Øyvind Brække trombone
Trygve Seim tenor and soprano saxo-phones, clarophone
Per Oddvar Johansen drums
Henrik Hannisdal
Odd Hannisdal violin
Marek Konstantynowicz viola
Morten Hannisdal cello
Frode Haltli accordion
Arve Henriksen trumpet
Christian Wallumrød piano
Finn Guttormsen bass

The Sunlight on the Garden

The sunlight on the garden
Hrdens and grows cold,
We cannot cage the minute
Within its nets of gold,
When all is told
We cannot beg for pardon.

Our freedom as free lances
Advances towards its end;
The earth compels, upon it
Sonnets and birds descend;
And soon, my friend,
We shall have no tme for dances.

The sky was good for flying
Defying the church bells
And every evil iron
Siren and what it tells:
The earth compels,
We are dying, Egypt, dying

And not expecting pardon,
Hardened in heart anew,
But glad to have sat under
Thunder and rain with you,
And grateful too
For sunlight on the garden

Louis MacNeice

Sunday, June 10, 2007

Mementos I

Sorting out letters and piles of my old
Canceled checks, old clippings, and yellow note cards
That meant something once, I happened to find
Your picture. That picture. I stopped there cold,
Like a man raking piles of dead leaves in his yard
Who has turned up a severed hand.

Still, that first second, I was glad: you stand
Just as you stood—shy, delicate, slender,
In that long gown of green lace netting and daisies
That you wore to our first dance. The sight of you stunned
Us all. Well, our needs were different, then,
And our ideals came easy.

Then through the war and those two long years
Overseas, the Japanese dead in their shacks
Among dishes, dolls, and lost shoes; I carried
This glimpse of you, there, to choke down my fear,
Prove it had been, that it might come back.
That was before we got married.

—Before we drained out one another’s force
With lies, self-denial, unspoken regret
And the sick eyes that blame; before the divorce
And the treachery. Say it: before we met. Still,
I put back your picture. Someday, in due course,
I will find that it’s still there.

W.D. Snodgrass

Saturday, April 28, 2007

Pick up! It's the innanet callin'

Although it's sad to report, I have no access to the internet, accept for right now. I decided to cancel my innanet subscription to save $25 a month. This of course means that the people who rely on this blog for their total and absolute music input will now be relegated to much, much, much lesser forms of musical consumption. Watch your health. Bad jazz causes herpes and other awful shit.

I'll attempt to post some more music in the near future...




Thursday, April 19, 2007

Soft Machine "Six" 1974 (Columbia)


Chloe and the Pirates

Hugh Hopper-Fender Bass
Mike Ratledge-Electric Piano, Organ
Karl Jenkins-Electric Piano, Saxophone
John Marshall-Drums

Tennyson's Memories

"A kind of waking trance I have frequently had, quite up from boyhood, when I have been all alone. This has generally come upon me thro' repeating my own name two or three times to myself silently, till all at once, as it were out of the intensity of the consciousness of individuality, the individuality itself seemed to dissolve and fade away into boundless being, and this not a confused state, but the clearest of the clearest, the surest of the surest, the weirdest of the weirdest, utterly beyond words, where death was an almost laughable impossibility, the loss of personality (if so it were) seeming no extinction but the only true life"

Alfred Lord Tennyson

Gateway "Homecoming" 1995 (ECM)

Calypso Falto

John Abercrombie-Electric Guitar
Dave Holland-Double Bass
Jack DeJohnette-Drums

Thursday, April 12, 2007

Steve Reid Ensemble "Spirit Walk" 2005 (Soul Jazz)


Which One (244 kbps)

Steve Reid-Drums
Kierran Hebdan-Electronics
Boris Netsvetaev-Organ, Moog, Electric Piano
Chuck Henderson-Soprano Sax
John Edwards-Double Bass
Tony Bevan-Bass Sax

Rain

A teacher asked Paul
what he would remember
from third grade, and he sat
a long time before writing
"this year sumbody tutched me
on the sholder"
and turned his paper in.
Later she showed it to me
as an example of her wasted life.
The words he wrote were large
as houses in a landscape.
He wanted to go inside them
and live, he could fill in
the windows of "o" and "d"
and be safe while outside birds building nests in drainpipes
knew nothing of the coming rain.

Naomi Shibab Nye

Keith Jarrett Quartet "Nude Ants" 1979 (ECM)

Chant of the Soil

Keith Jarrett-Piano
Jan Garbarek- Tenor Sax
Palle Daniellsson-Bass
Jon Christensen-Drums

Tuesday, April 3, 2007

Julian Priester/ Pepe Mtoto "Love, Love" 1974 (ECM)


Love, Love (320 kbps) Twenty minutes of unadulterated love for your mind.

Julian Priester-trombones, whistle flute, cowbell, small percussion, ARP 2600 synthesizer
Pat Gleeson-ARP 2600 synthesizer, ARP Odyssey synthesizer, Moog III, Oberheim digital sequencer
Hadley Caliman- flute, saxophones, bass clarinet
Bayete Umbra Zindinko- fender rhodes, piano, clavinet D-6;
Kamau Eric Gravatt-drums, congas
Ron McClure-fender bass
Bill Connors-electric guitar

Monday, March 26, 2007

Elevator Music

A tune with no more substance than the air,
performed on underwater instruments,
is proper to this short lift from the earth.
It hovers as we draw into ourselves
and turn our reverent eyes toward the lights
that count us to our various destinies.
We're all in this together, the song says
and later we'll descend. The melody
is like a name we don't recall just now
that still keeps on insisting it is there.

Henry Taylor